Co-directed with Dr.Meghna Singh, The Four Floors of Faneuil Hall is a captivating quadriptych film that challenges the sanitized narrative of American history by simultaneously presenting the four floors of Boston’s landmark site, Faneuil Hall. Hailed as the "Cradle of Liberty, Faneuil Hall, Boston's iconic landmark, stands as a symbol of freedom, yet its very foundation rests on the dark legacy of Peter Faneuil, a wealthy slave trader.
The meticulously layered quadriptych dissects the paradox of American nationhood- each panel focuses on a distinct floor of the building, revealing a microcosm of American contradictions. The ground floor thrums with commerce, a vibrant marketplace overflowing with Revolutionary War memorabilia. Above, a sense of solemnity fills the stately second floor ‘The Great Hall’, where immigrants eagerly await their naturalization ceremonies. The top floor ‘The Armoury’ is a shrine of military history, glorifying a nation's past conflicts. Juxtaposed against these narratives, the basement reveals a hidden truth: a discreet slavery exhibit tucked away beside the restrooms.
This deliberate juxtaposition of contrasting elements forces a critical reevaluation of American exceptionalism. "The Four Floors of Faneuil Hall" compels viewers to confront the building's ties to a brutal past and engage with the ongoing dialogue about American identity. This multifaceted exploration is a powerful exploration of historical erasure, contemporary realities, and the complexities of nation-building in the 21st century. This multi-layered film offers a profound reflection on America's ongoing struggle to reconcile its past with its present.